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Asia

Global Lens titles from Asia.

Items 21 to 27 of 27 total

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LET THE WIND BLOW (Hava Aney Dey)
Director: Partho Sen-Gupta
India   |   2004   |   93 minutes
Hindi and English, with subtitles in English
$24.95
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Synopisis At the height of nuclear tensions between India and Pakistan, Arjun and his best friend, Chabia, weigh their options for the future against the reality of life on the streets of Mumbai. Enticed by the promise of wealth and opportunity in the Persian Gulf, Chabia is eager to leave his job as a mechanic. But for Arjun, who must finish college and care for his mother, the decision is not so easy in director Partho Sen-Gupta's gritty, apocalyptic interpretation of Krishna's counsel to Arjuna, from the Bhagavad Gita.

About the Director Partho Sen-Gupta was born in Bombay, India in 1965. He started his career as an art department apprentice in the studios of ‘Bollywood’ in 1982. He is an award-winning production designer and art director, and has worked on numerous Indian and foreign films, television programs and theater productions. In 1993, he was awarded a scholarship to study film direction at La FEMIS, in Paris. He has directed several award-winning short films, which have been official selections at film festivals throughout Europe. In 2005, he was invited by the Cinefondation of the Cannes Film Festival to attend the festival as part of a group of promising young filmmakers. Later that year, he directed the documentary, Shakti Timeless, about the Indo-Western fusion group, Shakti, tracing its history from the '70s to the present. Let the Wind Blow is his first feature film.

Available Screening Formats 35mm, DVD. Digibeta available upon request

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Featured in the Global Lens 2008 film series.

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BUFFALO BOY
Director: Nguyen-Vô Nghiem-Minh
Vietnam   |   2004   |   102 minutes
Vietnamese, with subtitles in English
$24.95
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Vietnam’s official submission to the 2006 Academy Awards

Synopsis Set in the lowlands of southern Vietnam, this powerful coming of age tale is a richly textured and stunningly visual reflection of the rhythms of daily life and culture determined by water. The flooded landscape serves to tell the story of the relationship between a father and son, the cycles of life, and the inescapable flow of all things. When young Kim, out of necessity, joins the nomadic life of the buffalo herders he is exposed to a complex, brutal way of existence. He must find his own way and sense of self in this male world of endurance, betrayal, and uncertainty, which can also offer friendship and independence. Minh Nguyen-Vo presents this mythic tale with indelible images of the majestic and sacred buffalos charging through flood waters contrasted with the solitary rower gliding through the waters, each representing opposite phases of the spiritual and moving journey.

About the Director Nguyen-Vô Nghiem-Minh grew up in a small town in Vietnam during the war. To escape the fighting and atrocities all around, he spent a great deal of time in his youth in the town's one-room movie theater. He studied in France and the U.S., graduating with a Ph.D. in Applied Physics from UCLA. After years of doing research in optics, he decided to concentrate on filmmaking. Buffalo Boy, his first feature, was in Official Competition and won the special prize from the Youth Jury at the 2004 Locarno International Film Festival. 

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Featured in the Global Lens 2005 film series.


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OF LOVE AND EGGS (Rindu Kami Padamu)
Director: Garin Nugroho
Indonesia   |   2004   |   90 minutes
Bahasa-Indonesian, with subtitles in English
$24.95
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Synopsis In frustration, a young woman calls out to her father, who stands no more than twenty feet away from her in a crowded mosque, Speak to me! I can't hear you! A teacher hands the anguished father a microphone, whispering, use this. She'll hear you when you use this. To the cheers of the crowd, the father speaks into the microphone, telling his daughter how much he loves her. This film brings this gentle humor to complex relationships between parents and children, and to social and religious issues of life in and around a Jakarta mosque, through the eyes and voices of children, and the powerful imagery of a prayer rug, young love and eggs.

About the Director Garin Nugroho was born in Yogyakarta, Indonesia, in 1961, and studied filmmaking at the Institut Kesenian Jakarta. He has taught filmmaking at the Institut, made numerous documentaries and two short dramas, and also worked as a film critic for Indonesian newspapers before making his first feature film, Leaf on a Pillow (1999). His feature films include Birdman Tale (2002), And the Moon Dances (1995), and Tokyo (1998). Of Love and Eggs is his fifth feature film.

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Featured in the Global Lens 2007 film series.


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UNIFORM (Zhifu)
Director: Diao Yinan
China   |   2003   |   92 minutes
Mandarin, with subtitles in English
$24.95
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Synopsis Filmed on a shoestring budget in the city of Xi'an, Shaanxi province, this deceptively simple first feature perfectly illustrates a Chinese saying "the clothes enter before the person". A young tailor finds his life improving in a variety of ways when he - innocently at first - starts wearing a policeman's uniform left unclaimed in his family's laundry shop. Diao Yinan cleverly layers metaphors without elaborating, but the sly humor and undemonstrative narrative style allow the viewer to decipher the many secrets and lives being lived in contemporary Chinese society. Shot in video, adding a grainy, gritty look, this accomplished work typifies the style of the next generation of emerging Chinese filmmakers.

About the Director Diao Yinan was born in Xi'an, Shanxi Province, China, in 1969. He attended the Central Academy of Drama, where he graduated in 1992 with a degree in literature and screenwriting. From there he went on to collaborate on three screenplays: Spicy Love Soup (1998), Shower (1999) and All The Way (2001). As an actor, he has starred in Yu Lik Wai's All Tomorrow's Parties (2003). Uniform is Diao Yinan's directorial debut.

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Featured in the Global Lens 2005 film series.

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SHADOW KILL (Nizhalkkuthu)
Director: Adoor Gopalakrishnan
India   |   2002   |   92 minutes
Hindi, with subtitles in English
$24.95
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Synopsis A hangman in a southern Indian village who has spent his life carrying out politically motivated executions is now old and so wracked with guilt that he takes to heavy drinking and praying to the goddess Kali to forgive his sins. Veteran director Adoor Gopalakrishnan sets the film in 1941, the violent cusp of Indian independence, pitting Gandhian principles against the harsher traditions of punishment and retribution. The subtly nuanced performances bring the ever-present questions to bear on today's political debate.


About the director One of the leading lights of the New Indian Cinema, Adoor Gopalakrishnan was born in 1941. He started acting on the amateur stage at the age of eight, and, as a student, wrote and directed over twenty plays. After graduating in Political Science and Economics, he joined the Film Institute in Pune in 1962. Equipped with formal training in Script Writing and Direction, he went on to write and direct nine feature films and more than two dozen shorts and documentaries. His first film, Swayamvaram won the national awards for Best Film, Best Director, Best Photography, and Best Actress, setting a record of sorts. His film, Kathapurushan also won him the national award for the Best Feature Film in all Indian languages. He has won the national award for Best Director four times, and Best Scriptwriter three times. His films have been shown in Cannes, Berlin, Venice, Rotterdam, and Toronto, and festivals around the world. Adoor's third feature, Elippathayam won him the coveted British Film Institute Award for the most original and imaginative film of 1982. The International Film Critics Prize (FIPRESCI) has gone to him five times successively for Mukhamukham, Anantaram, Mathilukal, Vidheyan and Kathapurushan.


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Featured in the Global Lens 2004 film series.

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ANGEL ON THE RIGHT (Farishtay Kitfi Rost)
Director: Djamshed Usmonov
Tajikistan   |   2002   |   90 minutes
Tajik, with subtitles in English
$24.95
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Synopsis Hamro, an unrepentant prodigal son straight out of a Russian jail, returns to his hometown to help his mother die with dignity. But his debts are many and long overdue, the townspeople are tough as nails, and he gets more than he expected from the quiet village. In this dark comedy, his third feature, writer-director Djamshed Usmonov casts the town's population as its own persuasive self and his own mother and brother as the fractured yet formidable domestic couple.


About the Director Born in Asht, Tajikistan in 1965, Djamshed Usmonov graduated from the Theater Department at Dushanbe Fine Arts School in Tajikistan. He has been working in the film industry since 1986 as a director, producer, screenwriter, and an editor for fiction, animation and documentary films. He worked predominantly at the Tajikfilm Studio in Dushanbe. Djamshed has also appeared as an actor in 1990's "Yellow Grass Time" (dir. Mariam Yussupova, Tajikistan) and 2000's "The Road" (dir. Darezhan Omirbaev, Kazakhstan). He currently lives between Paris, Moscow and Tajikistan.


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Featured in the Global Lens 2004 film series.

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WRETCHED LIVES (Hubog)
Director: Joel Lamangan
Philippines   |   2001   |   102 minutes
Tagalog, with subtitles in English
$24.95
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Synopsis Wretched Lives focuses on Vanessa, a cosmetics consultant who is forced to care for her troubled and mentally challenged sister after the sudden death of their mother. Her hustler boyfriend, Olivier, seems unreliable and Vanessa soon abandons him for Uno, an ostensibly liberal and caring substitute. But Uno isn’t exactly as he seems. In fact, he makes Olivier’s petty crimes look like a choirboy’s indiscretions, underscoring the film’s critical premise: the corruption of the political elite and their exploitation of the poor. Set in the early nineties, during the short-lived and ill-fated reign of Joseph Estrada, the film offers up a society in hellish microcosm. Central to Wretched Lives is its outrage at the manipulation of the poor for purely political purposes. When riots are staged, organizers use the poor as a front and then abandon them, leaving them to distrust even those who actually try to support them. Liberals are only public liberals; when they come home, they follow a completely different agenda. Innocence is a license to be abused.

About the Director Joel Lamangan studied at theatre, film and television schools in the Philippines, Southeast Asia, Germany, Cuba and Australia. He acted and directed for stage and television before moving into feature films. His films include the award-winning Pangako ng Kahapon (1994), The Flor Contemplacion Story (1995), Bulaklak ng Maynila (1999), and Muling Umawit ang Puso (1995).

Available Screening Formats 35mm, DVD. Digibeta available upon request

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Featured in the Global Lens 2004 film series.

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Items 21 to 27 of 27 total

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